First she was a beat cop, then she was unemployed. Now, in Red House, K. J. A. Wishnia's dynamic Filomena Buscarsela has apprenticed herself to a New York City P.I. firm to put in the three years necessary to get her own P.I. license, something she needs to earn enough money to support herself and her daughter. Trouble is, she often agrees to take on sticky neighborhood cases pro bono rather than handle the big-bucks clients her bosses would prefer. While helping out her more "senior" colleagues with her own superior investigative techniques bred fro
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