Antoine's Alphabet
Watteau and His World
AActors. For Watteau, life is a casting call, an audition, a rehearsal, a coaching session, an intermission, an opening-night party, a day spent in idleness after the play has shut down. Although Watteau’s paintings are saturated with the life of the theater—with figures in theatrical costumes, with theatrical gestures, with richly decorated porticoes and loggias that suggest the contained world of the stage—the more I look at his paintings, the more forcibly it’s brought to mind how few of his characters are actually onstage. The strictly delimited world of the stage is too readily comprehensible to really interest Watteau. An actor on a stage is a personality, a figure, and Watteau is fascinated, above all else, by the impossibility of ever being sure of who you are, at least for more than a very brief time. He is a master of in-between situations, less interested in life as a stage than in the preparations for going onstage, or how actors feel after they’ve made their exits. It’s not the performer in performance so much as the mentality of the performer that fascinates ...
read full excerpt from Antoine's Alphabet ebook
