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Home > Art & Music > Music > Temperament: How Music Became a Battleground for the Great Minds of Western Civilization

Temperament: How Music Became a Battleground for the Great Minds of Western Civilization

by Isacoff, Stuart
 
 
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Temperament: How Music Became a Battleground for the Great Minds of Western Civilization
Few music lovers realize that the arrangement of notes on today’s pianos was once regarded as a crime against God and nature, or that such legendary thinkers as Pythagoras, Plato, da Vinci, Galileo, Kepler, Descartes, Newton and Rousseau played a role in the controversy. Indeed, from the time of the Ancient Greeks through the eras of Renaissance scientists and Enlightenment philosophers, the relationship between the notes of the musical scale was seen as a key to the very nature of the universe.

In this engaging and accessible account, Stuart Isacoff leads us through the battles over that scale, placing them in the context of quarrels in the worlds of art, philosophy, religion, politics and science. The contentious adoption of the modern tuning system known as equal temperament called into question beliefs that had lasted nearly two millenia–and also made possible the music of Beethoven, Schubert, Chopin, Debussy, and all who followed. Filled with original insights, fascinating anecdotes, and portraits of some of the greatest geniuses of all time, Temperament is that rare book that will delight the novice and expert alike.


From the Trade Paperback edition.


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Title of ebook: Temperament: How Music Became a Battleground for the Great Minds of Western Civilization
ISBN: 9780307560513
parent-ISBN: 9780375703300
Publisher: Vintage
Internet download file size: 1230 kb
Released online for download: 01-16-2009
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Temperament


Chapter One

Chapter 1

Ay me! what warbles yields mine instrument!
The basses shriek as though they were amiss!

-William Percy, "Coelia" (1594)

The piano is perhaps the most generous instrument ever invented. Its range, from bass to treble, is as large as an orchestra's. It allows ten tones-sometimes even more-to be struck simultaneously, and holds them in the air at a pianist's will. The piano can growl and sing and beat time. It can render arid fugues and impressionist waterfalls with equal naturalness. And, unlike the ungrateful French horn or the finicky oboe, if you keep it in tune, it will be an obedient servant. But the principle that truly underlies the piano's versatility is hidden beneath the geometry of its white and black keys.

Clusters of two blacks, then three, then two, and so on, form a repeating pattern above a solid row of whites. When one's eye has become accustomed to the terrain, the alternating groupings signal the names of each note on the keyboard. There are only twelve different ones (each tied to a letter of the alphabet), and in our modern tuning they are built in equidistant st ... read full excerpt from Temperament: How Music Became a Battleground for the Great Minds of Western Civilization ebook



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