Chapter One
"Get a Life"
Gladiator David Franzoni
With the possible exception of showbiz legacies like Jason Reitman and Sofia Coppola, everyone starts out in the movie business at the bottom of the same mountain. We look up at the summit and start trudging, daydreaming all the way about the view from the top.
Pretty much all of us imagine ourselves at a podium, statuette in hand, thanking the Academy, but other than that, we may well disagree about what, exactly, the top of the mountain is. Some daydream of making a film for the ages, like
Citizen Kane; others of having millions flock to their movies at the multiplex. Some want fame, some crave respect, others just want money.
Whatever the screenwriting mountain is, by the mid 1990s David Franzoni had set up camp ...
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