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Home > Art & Music > Film & Video > Film & Video - Screenwriting > Screen Plays-eBook
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Screen Plays
In this fascinating survey of contemporary screen craft, David Cohen of Script and Variety magazines leads readers down the long and harrowing road every screenplay takes from idea to script to screen. In interviews with Hollywood screenwriters from across the board—Oscar winners and novices alike—Cohen explores what sets apart the blockbuster successes from the downright disasters.

Tracing the fortunes of twenty-five films, including Troy, Erin Brockovich, Lost in Translation, and The Aviator, Cohen offers insider access to back lots and boardrooms, to studio heads, directors, and to the over-caffeinated screenwriters themselves. As the story of each film evolves from the drawing board to the big screen, Cohen proves that how a script is written, sold, developed, and filmed can be just as dramatic and intriguing as the movie itself—especially when the resulting movie is a fiasco.

Covering films of all kinds—from tongue-in-cheek romps like John Waters's A Dirty Shame to Oscar winners like Monster's Ball and The Hours—Screen Plays is an anecdote-filled, often inspiring, always revealing look at the alchemy of the movie business. With Cohen as your expert guide, Screen Plays exposes how and why certain films (such as Gladiator) become "tent poles," those runaway successes every studio needs to survive, and others become train wrecks. Full of critical clues on how to sell a script—and avoid seeing it destroyed before the director calls Action!—it's the one book every aspiring screenwriter will find irresistible.

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Title of ebook: Screen Plays
ISBN: 9780061472183
Publisher: HarperCollins e-books
Internet download file size: 2107 kb
Pages: 352
Released online for download: 02-05-2008
Author of eBook: Cohen, David S.

 

Chapter One


"Get a Life"

Gladiator • David Franzoni

With the possible exception of showbiz legacies like Jason Reitman and Sofia Coppola, everyone starts out in the movie business at the bottom of the same mountain. We look up at the summit and start trudging, daydreaming all the way about the view from the top.

Pretty much all of us imagine ourselves at a podium, statuette in hand, thanking the Academy, but other than that, we may well disagree about what, exactly, the top of the mountain is. Some daydream of making a film for the ages, like Citizen Kane; others of having millions flock to their movies at the multiplex. Some want fame, some crave respect, others just want money.

Whatever the screenwriting mountain is, by the mid 1990s David Franzoni had set up camp ... read full excerpt from Screen Plays ebook


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