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Home > Art & Music > Film & Video > Film & Video - Direction & Production > Kazan on Directing
Kazan on Directing
by Kazan, Elia
 
 
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Kazan on Directing
Elia Kazan was born in 1909 in Istanbul. He graduated from Williams College and attended the Yale School of Drama before joining the Group Theatre. He was the founder of the Actors Studio, and he won three Tony Awards for direction (for All My Sons, Death of a Salesman, and J.B.) and two Academy Awards (for Gentleman’s Agreement and On the Waterfront), as well as an honorary Oscar in 1999 for lifetime achievement. He died in September 2003.

Robert Cornfield worked with Joshua Logan on Logan’s autobiography, Josh, and edited The Dance Writings of Edwin Denby; his reviews and articles have appeared in The New York Times Book Review, The Wall Street Journal, and the New York Observer.


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Title of ebook: Kazan on Directing
ISBN: 9780307271419
parent-ISBN: 9780307264770
Publisher: Knopf Doubleday Publishing Group
Pages: 368
Published: 04-2009
Released online for download: 04-21-2009
Foreword by: Lahr, John
1: Scorsese, Martin
Author of eBook: Kazan, Elia

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Kazan on Directing


A Streetcar Named Desire (1947)
by Tennessee Williams

FROM THE NOTEBOOK
August 1947


A thought: Directing finally consists of turning Psychology into Behavior.

Theme: This is a message from the dark interior. This little twisted, pathetic, confused bit of light and culture puts out a cry. It is snuffed out by the crude forces of violence, insensibility, and vulgarity that existin our South — and this is the cry of the play.

Style: One reason a “ style,” a stylized production, is necessary is that Blanche’s memories, inner life, emotions are a tangible, actual factor.We cannot understand her behavior unless we see the effect of her past on her present behavior.

This play is a poetic tragedy. We are shown the final dissolution of a person of worth, who once had great potential, and who, even as she is defeated, as she is destroyed, has a worth exceeding that of the “healthy,” coarse-grained figures who kill her.

Blanche and Don Quixote are both emblems of the death of an old culture. This is a poetic tragedy, not a realistic, naturalistic one. The acting must be styled, not in the obvious sense. (S ... read full excerpt from: Kazan on Directing ebook


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