chapter one

"We Praise Thee, O God"

lepanto, 1571

on august 14, 1571, a gigantic ship's pennant of silk damask passed through the congested streets of Naples. Embroidered to the pope's commission, it was the standard of Christendom, to fly from the tallest mast in the fleet of the Holy League as it sailed into battle. The pope's banner with a huge golden figure of Christ nailed to the cross loomed over the stocky Spanish soldiers who carried it in procession from the steps of the Church of Santa Clara. As the blue flag moved through the Neapolitan crowds, an unnatural stillness gripped all who watched it go by. An hour before, inside the church, the assembled nobles, officers, monks, and priests had stood silent and unmoving, all their eyes on the admiral of the Holy League, Don John of Austria. Arrayed in cloth of gold, scarlet satin, and white velvet, the young admiral knelt before the altar as the pope's representative, Cardinal Granvelle, handed him his staff of office and pointed to the great banner behind him. "Take these emblems," the cardinal exhorted, "of the Word made flesh, these symbols of the true faith, and may they give thee a glorious victory over our impious enemy and by thy hand may his pride be laid low."

Below the cross of Christ were the emblems of the king of Spain and of the Holy Father, Pope Pius V, with the badge of the Republic of Venice, all linked by a great golden chain, symbolizing the power of faith that bound them together. From that chain, in slightly smaller scale, hung the pendant crest of Don John.The emblems marked a brief moment of unity. For the first time in more than a century, Christendom had combined in force to do battle with the power of "Islam." The war was sanctified, waged under the protection of the golden figure of Christ. The pope had declared that those who fought in this struggle were to be granted the same plenary indulgences as earlier Crusaders fighting to secure the Holy Sepulchre i