Here, in one complete volume, is the depth and breadth of the great island nation and its people represented in an easily browsed, friendly format. From the Abbey Theatre to the Dublin storyteller Zozimus; from the origin of the Troubles to the origin of the limerick; from the stunning beauty of Connemara to the shattering tragedy of Bloody Sunday; from the greatest writers of the English language to the “confrontational television” of Gay Byrne’s The Late Late Show –every aspect of Irish culture, geography, and history is collected and annotated in more than 900 entries from A to Z. Readers will encounter heroes and terrorists, poets and politicians, all of Ireland’s counties, ancient myths, and pivotal events–all expertly and succinctly described and explained.
With entries written by some of the world’s leading authorities on Ireland, Everything Irish is perfect for everyone, from the inquiring reader to the serious student. You can spend a few minutes learning about the much-maligned Travelers and then move on to the equally contentious (in its time) medieval tithe. Visit the majestic Cliffs of Moher and then delve into an analysis of paramilitary groups like the Irish Republican Army and the Ulster Volunteer Force. Explore the ruins of a Romanesque castle or experience the piercing light of the winter solstice inside prehistoric Newgrange, a passage grave older than the pyramids.
Across centuries and across counties, the rich landscape of Irish life and heritage springs to life in these pages. An indispensable source of fascinating information and captivating anecdote, this is one book that will never be far from the hands of those with curious minds or an adventurous spirit.
From the Hardcover edition.
Share your thoughts on the Everything Irish New Mystery and Detective items eBook with others!
|Title of eBook: Everything Irish|
|Release Date: 11-20-2013|
|Allowed Countries (hover)|
|Publisher: Random House Publishing Group|
This eBook download is available in the following formats:
|Parent title||Everything Irish|
|Devices||Samsung Tablet, Apple Ipad & Iphone, Barnes & Noble Nook, Kobo eReader, Aluratek Libre, Iliad, Nokia, Blackberry, Hanlin|
|Note||ePub, short for electronic publication is one of our favorites and should be yours for a couple of reasons. ePub offers reflowable text giving you flexibility to manipulate how the content is presented. Moreover, lots of cool features are now being developed for the reader like advanced video and audio. ePub is now an industry standard, so all of the "non-propreitary" hardware manufacturers are now supporting it.|
Abbey Theatre, the. Ireland’s national theater. Considered one of the most prestigious theater companies in the world, the Abbey is one of the important institutions to emerge from the *Irish Revival of the late nineteenth century. In 1899, Lady *Gregory, W. B. *Yeats, and others created the Irish Literary Theatre, which became known as the Abbey Theatre in 1904. As a writers’ theater, its main objective was to encourage the staging of Irish plays for Irish audiences at a time when *theater in Ireland was dominated by the offerings of British touring companies. The Abbey also aimed to uphold the highest artistic principles and to provide an alternative to the melodrama and vaudeville of the commercial theaters. Early on, the movement produced a crop of talented playwrights, including Yeats, Lady Gregory, J. M. *Synge, and Seán *O’Casey, whose contribution to world drama has been widely acknowledged. The Abbey’s initial success was considerably enhanced by the acting talents of *Frank and Willie *Fay. Some of the early productions became embroiled in the politics of the day, causing dis- turbances in the theater. Most notoriously, J. M. Synge’s Playboy of the Western World (1907) and Seán O’Casey’s The Plough and the Stars (1926) caused riots because of their iconoclastic attacks on idealized cultural nationalism. Destroyed by fire in 1951, the theater was redeveloped to include a smaller auditorium (the *Peacock) and reopened in 1966. Although criticized for its conservatism at times, the Abbey continues to be the most important institution in Irish theater. In 1990, the Abbey triumphed with a production of Brian *Friel’