The Fourth Hand asks an interesting question: “How can anyone identify a dream of the future?” The answer: “Destiny is not imaginable, except in dreams or to those in love.”
While reporting a story from India, a New York television journalist has his left hand eaten by a lion; millions of TV viewers witness the accident. In Boston, a renowned hand surgeon awaits the opportunity to perform the nation’s first hand transplant; meanwhile, in the distracting aftermath of an acrimonious divorce, the surgeon is seduced by his housekeeper. A married woman in Wisconsin wants to give the one-handed reporter her husband’s left hand– that is, after her husband dies. But the husband is alive, relatively young, and healthy.
This is how John Irving’s tenth novel begins; it seems, at first, to be a comedy, perhaps a satire, almost certainly a sexual farce. Yet, in the end, The Fourth Hand is as realistic and emotionally moving as any of Mr. Irving’s previous novels – including The World According to Garp, A Prayer for Owen Meany, and A Widow for One Year – or his Oscar-winning screenplay of The Cider House Rules.
The Fourth Hand is characteristic of John Irving’s seamless storytelling and further explores some of the author’s recurring themes – loss, grief, love as redemption. But this novel also breaks new ground; it offers a penetrating look at the power of second chances and the will to
From the Hardcover edition.
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|Title of eBook: The Fourth Hand|
|Release Date: 07-21-2010|
|Allowed Countries (hover)|
|Publisher: Ballantine Books|
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The Fourth Hand
The Lion Guy
Imagine a young man on his way to a less-than-thirty-second event—the loss of his left hand, long before he reached middle age.
As a schoolboy, he was a promising student, a fair-minded and likable kid, without being terribly original. Those classmates who could remember the future hand recipient from his elementary-school days would never have described him as daring. Later, in high school, his success with girls notwithstanding, he was rarely a bold boy, certainly not a reckless one. While he was irrefutably good-looking, what his former girlfriends would recall as most appealing about him was that he deferred to them.
Throughout college, no one would have predicted that fame was his destiny. “He was so unchallenging,” an ex-girlfriend said.
Another young woman, who’d known him briefly in graduate school, agreed. “He didn’t have the confidence of someone who was going to do anything special” was how she put it.
He wore a perpetual but dismaying smile—the look of someone who knows he’s met you before but can’t recall the exact occasion. He might have been in the act of guessing whether the previous meeting was at a funeral or in a brothel, which would explain why, in his smile, there was an unsettling combination of grief and embarrassment.
He’d had an affair with his thesis adviser; she was either a reflection of or a reason for his lack of direction as a graduate student. Later—she was a divorcée with a nearly grown daughter—she would assert: “You could never rely on someone that good-looking. He was also a classic underachiever—he was