For many of us, the return of Zen conjures up images of rock gardens and gently flowing waterfalls. We think of mindfulness and meditation, immersion in a state of being where meaning is found through simplicity. Zen lore has been absorbed by Western practitioners and pop culture alike, yet there is a specific area of this ancient tradition that hasn’t been fully explored in the West. Now, in The Zen of Creativity, American Zen master John Daido Loori presents a book that taps the principles of the Zen arts and aesthetic as a means to unlock creativity and find freedom in the various dimensions of our existence. Loori dissolves the barriers between art and spirituality, opening up the possibility of meeting life with spontaneity, grace, and peace.
Zen Buddhism is steeped in the arts. In spiritual ways, calligraphy, poetry, painting, the tea ceremony, and flower arranging can point us toward our essential, boundless nature. Brilliantly interpreting the teachings of the artless arts, Loori illuminates various elements that awaken our creativity, among them still point , the center of each moment that focuses on the tranquility within; simplicity , in which the creative process is uncluttered and unlimited, like a cloudless sky; spontaneity , a way to navigate through life without preconceptions, with a freshness in which everything becomes new; mystery, a sense of trust in the unknown; creative feedback, the systematic use of an audience to receive noncritical input about our art; art koans, exercises based on paradoxical questions that can be resolved only through artistic expression. Loori shows how these elements interpenetrate and function not only in art, but in all our endeavors.
Beautifully illustrated and punctuated with poems and reflections from Loori’s own spiritual journey, The Zen of Creativity presents a multilayered, bottomless source of insight into our creativity. Appealing equally to spiritual seekers, artists, and veteran Buddhist practitioners, this book is perfect for those wishing to discover new means of self-awareness and expression—and to restore equanimity and freedom amid the vicissitudes of our lives.
From the Hardcover edition.
Share your thoughts on the The Zen of Creativity Psychology & Psychiatry eBook with others!
|Title of eBook: The Zen of Creativity|
|Release Date: 12-18-2007|
|Allowed Countries (hover)|
|Publisher: Random House Publishing Group|
This eBook download is available in the following formats:
|Parent title||The Zen of Creativity|
|Devices||Samsung Tablet, Apple Ipad & Iphone, Barnes & Noble Nook, Kobo eReader, Aluratek Libre, Iliad, Nokia, Blackberry, Hanlin|
|Note||ePub, short for electronic publication is one of our favorites and should be yours for a couple of reasons. ePub offers reflowable text giving you flexibility to manipulate how the content is presented. Moreover, lots of cool features are now being developed for the reader like advanced video and audio. ePub is now an industry standard, so all of the "non-propreitary" hardware manufacturers are now supporting it.|
The Zen of Creativity
All the way to heaven
is heaven itself.
In the fall of 1980, after I completed Zen training in Los Angeles with my teacher, Maezumi Roshi, I came to the East Coast with the intention of establishing a Zen arts center-a place where Zen training would be used as the vehicle for studying, enhancing, and cultivating a creative life.
The Zen Arts Center opened in Mount Tremper in October of 1980. Its main thrust was the practice of art within a Zen context.
Art had been a passion of mine since I was young, but its deep connection to my spiritual journey didn't become obvious until much later. I started photographing when I was ten, and by the time I'd reached my mid thirties photography had become an important part of my life. While working as a research scientist, I began teaching photography part-time at a local college. Spirituality was not in the picture-at least not overtly. The first time these two areas overlapped was in the late 1960s when I traveled to Boston from New York to see a photography exhibit titled "The Sound of One Hand," by Minor White.
I didn't yet have any sense that art might be a doorway to serious and transformative spiritual practice, but something more than good technique drew me to Minor's work. Minor was a "straight photographer": he didn't manipulate his prints during the developing process, yet his images transcended their subject. Looking at his photographs, I felt myself being pulled into another realm of consciousness. Minor's work pointed to a dynamic way of seeing, a new way of perceiving.
My life has been the poem I would have writ,
But I could not