"Shards of glass can cut and wound or magnify a vision," Terry Tempest Williams tells us. "Mosaic celebrates brokenness and the beauty of being brought together." Ranging from Ravenna, Italy, where she learns the ancient art of mosaic, to the American Southwest, where she observes prairie dogs on the brink of extinction, to a small village in Rwanda where she joins genocide survivors to build a memorial from the rubble of war, Williams searches for meaning and community in an era of physical and spiritual fragmentation.
In her compassionate meditation on how nature and humans both collide and connect, Williams affirms a reverence for all life, and constructs a narrative of hopeful acts, taking that which is broken and creating something whole.
From the Trade Paperback edition.
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|Title of eBook: Finding Beauty in a Broken World|
|Release Date: 10-07-2008|
|Allowed Countries (hover)|
|Publisher: Knopf Doubleday Publishing Group|
This eBook download is available in the following formats:
|Parent title||Finding Beauty in a...|
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Finding Beauty in a Broken World
The peace in our own hearts shattered.
How to pick up the pieces?
What to do with these pieces?
I was desperate to retrieve the poetry I had lost.
Standing on a rocky point in Maine, looking east toward the horizon at dusk, I faced the ocean. “Give me one wild word.” It was all I asked of the sea.
The tide was out. The mudflats exposed. A gull picked up a large white clam, hovered high above the rocks, then dropped it. The clam broke open, and the gull swooped down to eat the fleshy animal inside.
“Give me one wild word to follow . . .”
And the word the sea rolled back to me was “m o s a i c.”
Ravenna is the town in Italy where the west arm of Rome and the east arm of Constantinople clasped hands and agreed on a new capital of the Roman Empire in 402 AD. It was a pragmatic decision made by a shift in power, the decline of Rome and the rise of Byzantium. A spiritual history of evolving pagan and Christian perspectives can be read in a dazzling narrative of cut stones and glass.
Eloquence is spoken through the labor of hands, anonymous hands of forgotten centuries. With eyes looking up, artisans rolled gold tesserae between their fingers in thought, as they searched for the precise placement in domes and apses where light could converse with glass. Jeweled ceilings become lavish tales. I want to understand these stories told through fragments. I am an apprentice in a mosaic workshop.
Her name is Luciana. She is my teacher. Her work is unsigned, anonymous. Like the mosaicists before her who created the ancient mosaics that adorn...