A crumbling farmhouse in Puglia, Casa Rossa was bought by Alina Strada’s grandfather at a time when no one else wanted it. Now busy preparing it for sale, Alina endeavors to recover the memories it still harbors—in particular of three women whose passions indelibly shaped her family’s dark past. There’s grandmother Renee, whose love of novelty won over everything else. Alina’s mother, Alba, whose marriage to a screenwriter inspired both great art and unbearable sadness. Finally Isabella, Alina’s sister, whose fervent politics drove her to ever-escalating betrayals. Moving from Jazz Age Paris to 1950s Rome to modern-day New York, but returning always to the uncompromising beauty of Italy’s south, Casa Rossa is a spellbinding story of how loves and losses, secrets and lies, resonate across the generations.
From the Trade Paperback edition.
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|Title of eBook: Casa Rossa|
|Release Date: 12-18-2007|
|Allowed Countries (hover)|
|Publisher: Knopf Publishing Group|
This eBook download is available in the following formats:
|Parent title||Casa Rossa|
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Murdered him, and then made up the suicide story.
We'd be in the kitchen, hunting for food, two skinny girls, ten and twelve. Murdered. We'd let that possibility hang in the air, to see if anything crashed or shattered, but nothing ever moved. The house remained perfectly still.
"Who knows, anyway," we'd say, to finish it off. We didn't really want to know. If she had done it, eventually they would come and lock her up.
It was bad enough, what had happened already. Dad vanishing, like a card in a trick.
We'd hear the keys in the door. She'd come in smiling, wearing her green dress and sandals, her arms full of groceries.
There she was: Alba. Our mother. The Murderer.
"Want a prosciutto sandwich, darlings?"
When we were that small, things shifted proportions all the time: the really dangerous stuff shrunk, curled up in a ball so that we could juggle it, study it closely, let it drop from our hands the minute it began to bother us.
It was a silent agreement between my sister and me. To move on, to survive.
To eat that sandwich.
Careful now. Watch what you do.
You keep staring at the living room, you don't think you can fol- low this task. It feels like sacrilege to alter its order, like rummaging a temple.
How long has this dark red armchair been sitting across from the threadbare sofa, right next to the painted lampshade? How many years has the faded rug sat on these stone tiles? Ren?e's portrait hung on the wall? The opaline vase stood on the mantelpiece?
My grandfather bought this ho...