Selected by the Modern Library as one of the 100 best novels of all time
The Secret Agent is the unsurpassed ancestor of a long series of twentieth-century novels and films which explore the confused motives that lie
at the heart of political terrorism. In its use of powerful psychological insight to intensify narrative suspense, it set the terms by which subsequent
works in its genre were created. Conrad was the first novelist to discover the strange in-between territory of the political exile, and his genius was
such that we still have no truer map of that region's moral terrain than his story of a terrorist plot and its tragic consequences for the guilty and
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|Title of eBook: The Secret Agent|
|Release Date: 11-01-2000|
|Allowed Countries (hover)|
|Publisher: Random House Publishing Group|
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|Parent title||The Secret Agent|
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The Secret Agent
Mr. Verloc, going out in the morning, left his shop nominally in charge of his brother-in-law. It could be done, because there was very little business at any time, and practically none at all before the evening. Mr. Verloc cared but little about his ostensible business. And, moreover, his wife was in charge of his brother-in-law.
The shop was small, and so was the house. It was one of those grimy brick houses which existed in large quantities before the era of reconstruction dawned upon London.1 The shop was a square box of a place, with the front glazed in small panes. In the daytime the door remained closed; in the evening it stood discreetly but suspiciously ajar.
The window contained photographs of more or less undressed dancing girls; nondescript packages in wrappers like patent medicines; closed yellow paper envelopes, very flimsy, and marked two and six in heavy black figures; a few numbers of ancient French comic publications hung across a string as if to dry; a dingy blue china bowl, a casket of black wood, bottles of marking ink, and rubber stamps; a few books, with titles hinting at impropriety; a few apparently old copies of obscure newspapers, badly printed, with titles like The Torch, The Gong—rousing titles.2 And the two gas jets inside the panes were always turned low, either for economy’s sake or for the sake of the customers.
These customers were either very young men, who hung about the window for a time before slipping in suddenly; or men of a more mature age, but looking generally as if they were not in funds. Some of that last kind had the collars of their overcoats turned right up to their moustaches, and traces of mud on the b