By turns graceful and knowing, funny and moving, Niagara Falls All Over Again is the latest masterwork by National Book Award finalist and author of The Giant’s House, Elizabeth McCracken.
Spanning the waning years of vaudeville and the golden age of Hollywood, Niagara Falls All Over Again chronicles a flawed, passionate friendship over thirty years, weaving a powerful story of family and love, grief and loss. In it, McCracken introduces her most singular and affecting hero: Mose Sharp — son, brother, husband, father, friend ... and straight man to the fat guy in baggy pants who utterly transforms his life.
To the paying public, Mose Sharp was the arch, colorless half of the comedy team Carter and Sharp. To his partner, he was charmed and charming, a confirmed bachelor who never failed at love and romance. To his father and sisters, Mose was a prodigal son. And in his own heart and soul, he would always be a boy who once had a chance to save a girl’s life — a girl who would be his first, and greatest, loss.
Born into a Jewish family in small-town Iowa, the only boy among six sisters, Mose Sharp couldn’t leave home soon enough. By sixteen Mose had already joined the vaudeville circuit. But he knew one thing from the start: “I needed a partner,” he recalls. “I had always needed a partner.”
Then, an ebullient, self-destructive comedian named Rocky Carter came crashing into his life — and a thirty-year partnership was born. But as the comedy team of Carter and Sharp thrived from the vaudeville backwaters to Broadway to Hollywood, a funny thing happened amid the laughter: It was Mose who had all the best lines offstage.
Rocky would go through money, women, and wives in his restless search for love; Mose would settle down to a family life marked by fragile joy and wrenching tragedy. And soon, cracks were appearing in their complex relationship ... until one unforgivable act leads to another and a partnership begins to unravel.
In a novel as daring as it is compassionate, Elizabeth McCracken introduces an indelibly drawn cast of characters — from Mose’s Iowa family to the vagabond friends, lovers, and competitors who share his dizzying journey — as she deftly explores the fragile structures that underlie love affairs and friendships, partnerships and families.
An elegiac and uniquely American novel, Niagara Falls All Over Again is storytelling at its finest — and powerful proof that Elizabeth McCracken is one of the most dynamic and wholly original voices of her generation.
From the Hardcover edition.
See more like this in our Mystery & Detective eBooks section
Share your thoughts on the Niagara Falls All Over Again Mystery & Detective eBook with others!
|Title of Mystery & Detective eBook: Niagara Falls All Over Again|
|Release Date: 11-26-2002|
|Allowed Countries (hover)|
|Publisher: Random House Publishing Group|
This eBook download is available in the following formats:
|Parent title||Niagara Falls All...|
|Devices||Samsung Tablet, Apple Ipad & Iphone, Barnes & Noble Nook, Kobo eReader, Aluratek Libre, Iliad, Nokia, Blackberry, Hanlin|
|Note||ePub, short for electronic publication is one of our favorites and should be yours for a couple of reasons. ePub offers reflowable text giving you flexibility to manipulate how the content is presented. Moreover, lots of cool features are now being developed for the reader like advanced video and audio. ePub is now an industry standard, so all of the "non-propreitary" hardware manufacturers are now supporting it.|
Niagara Falls All Over Again
This story — like most of the stories in the history of the world — begins far away from Des Moines, Iowa.
It starts with two men — one thin, one fat — dressed in tuxedos, walking down a black-and-white street arm-in-arm. The fat man keeps stumbling. At one point he falls and manages to land on his high silk hat. The fat man will always land on his hat, and the thin man will always help him up, whack him over the head, and replace it.
“I don’t want to do this, Professor,” the fat man pleads in a childish voice.
“You’ll be fine,” says the thin man, who, befitting his name, wears a mortarboard instead of a top hat. He drags the fat man up a set of stairs into a white church and through the flung-back doors and down the aisle to a sudden wedding march. Though both men are rotten marchers, they make it to the altar, where a minister opens a Bible in a chiding way: there’s no good reason to be late to your own wedding, even if your bride is a pony. Which she is, a chubby, swaybacked roan pony whose hindquarters keep shifting — she’s not thrilled about the match either. In this world, everyone wears a hat: the pony’s is straw, trimmed with a net veil thrown over her shoulders. The fat man sneaks sugar cubes to his intended. The pony has a history of bolting.
“We are gathered,” intones the justice of the peace, which is when the fat man howls, “Oh my fucking God!”
The cameras — there are cameras here, and a boom mike, and a director who hates the pony, and a script girl and a prop guy and dollies and grips...