From concept to character, from opening scene to finished script..
Here are easily understood guidelines to make film-writing accessible to novices and to help practiced writers improve their scripts. Syd Field pinpoints the structural and stylistic elements essential to every good screenplay. He presents a step-by-step, comprehensive technique for writing the script that will succeed.
•Why are the first ten pages of your script crucially important?
•How do you collaborate successfully with someone else?
•How do you adapt a novel, a play, or an article into a screenplay?
•How do you market your script?
From the Trade Paperback edition.
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|Title of eBook: Screenplay|
|Release Date: 12-18-2007|
|Allowed Countries (hover)|
|Publisher: Dell Publishing|
This eBook download is available in the following formats:
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What Is a Screenplay?
“Suppose you’re in your office. . . . A pretty stenographer you’ve seen before comes into the room and you watch her. . . . She takes off her gloves, opens her purse and dumps it out on the table. . . . She has two dimes and a nickel—and a cardboard match box. She leaves the nickel on the desk, puts the two dimes back into her purse and takes her black gloves to the stove. . . . Just then your telephone rings. The girl picks it up, says hello—listens—and says deliberately into the phone, “I’ve never owned a pair of black gloves in my life.” She hangs up . . . and you glance around very suddenly and see another man in the office, watching every move the girl makes. . . .”
“Go on,” said Boxley smiling. “What happens?”
“I don’t know,” said Stahr. “I was just making pictures.”
—The Last Tycoon
F. Scott Fitzgerald
In the summer of 1937, F. Scott Fitzgerald, drinking far too much, deeply in debt, and drowning in the suffocating well of despair, moved to Hollywood seeking new beginnings, hoping to reinvent himself by writing for the movies. The author of The Great Gatsby, Tender Is the Night, This Side of Paradise, and the uncompleted The Last Tycoon, perhaps America’s greatest novelist, was, as one friend put it, seeking redemption.
During the two and a half years he spent in Hollywood, he took the craft of screenwriting “very seriously,” says one noted Fitzgerald authority: “It’s heartbreaking to see how much effo