Russell Smith’s highly praised new novel features some typically caustic satire, alongside a deep and melancholy awareness of the force of desire in our lives. The combination of wit and perception in Muriella Pent —and its brilliant dialogue, beautiful descriptive prose, assured handling of racial politics, and exact observation of modern types—underlines Russell Smith’s claim to be one of Canada’s subtlest, sharpest writers.

The book begins with a poem by Marcus Royston (from his "Island Eclogues") and a fundraising message from Muriella Pent; then, in the first scene, still before chapter one, these two very different writers have a revealing post-coital conversation. The combination of texts and action, the pointed and moving dialogue, and the ineradicable presence of sex tell us a lot about how Muriella Pent will go on: it’s precise and original even before really beginning.

As satire and social observation, as an exploration of what art should be and do, as a study of sex as a prime mover in the messy triumphs of our lives, Muriella Pent is unmatched.