Booker Prize Finalist
"Sweeping and evocative--. An unconventional love story."-- The Times (London)
With her first novel, In the Eye of the Sun, Ahdaf Soueif garnered comparisons to Tolstoy, Flaubert, and George Eliot. In her latest novel, which was shortlisted for Britain's prestigious Booker Prize, she combines the romantic skill of the nineteenth-century novelists with a very modern sense of culture and politics--both sexual and international.
At either end of the twentieth century, two women fall in love with men outside their familiar worlds. In 1901, Anna Winterbourne, recently widowed, leaves England for Egypt, an outpost of the Empire roiling with nationalist sentiment. Far from the comfort of the British colony, she finds herself enraptured by the real Egypt and in love with Sharif Pasha al-Baroudi. Nearly a hundred years later, Isabel Parkman, a divorced American journalist and descendant of Anna and Sharif has fallen in love with Omar al-Ghamrawi, a gifted and difficult Egyptian-American conductor with his own passionate politics. In an attempt to understand her conflicting emotions and to discover the truth behind her heritage, Isabel, too, travels to Egypt, and enlists Omar's sister's help in unravelling the story of Anna and Sharif's love.
Joining the romance and intricate storytelling of A.S. Byatt's Possession and Michael Ondaatje's The English Patient, Ahdaf Soueif has once again created a mesmerizing tale of genuine eloquence and lasting importance.
From the Trade Paperback edition.
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|Title of eBook: The Map of Love|
|Release Date: 01-26-2011|
|Allowed Countries (hover)|
|Publisher: Knopf Doubleday Publishing Group|
This eBook download is available in the following formats:
|Parent title||The Map of Love|
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The Map of Love
Even God cannot change the past.
Agathon (447-401 bc)
and there, on the table under her bedroom window, lies the voice that has set her dreaming again. Fragments of a life lived a long, long time ago. Across a hundred years the woman's voice speaks to herso clearly that she cannot believe it is not possible to pick up her pen and answer.
The child sleeps. Nur al-Hayah: light of my life.
Anna must have put aside her pen, Amal thinks, and looked down at the child pressed into her side: the face flushed with sleep, the mouth slightly open, a damp tendril of black hair clinging to the brow.
I have tried, as well as I could, to tell her. But she cannotor will notunderstand, and give up hope. She waits for him constantly.
Amal reads and reads deep into the night. She reads and lets Anna's words flow into her, probing gently at dreams and hopes and sorrows she had sorted out, labelled and put away.
Papers, polished and frail with age, sheets and sheets of them. Mostly they are covered in English in a small, firm, sloping hand. Amal has sorted them out by type and size of paper, by colour of ink. Other papers are in French. Some are in envelopes, some loosely bundled together in buff folders. There is a large green journal, and another bound in plain brown leather, a tiny brass keyhole embedded in its chased clasp. The key Amal found later in the corner of a purse made of green felt-a purse with an unwilling feel to it, as though it had been made in a schoolroom projectand with it were two wedding rings, one smaller than the other. She looked carefully at...