From the privileged streets of modern Brooklyn to the heart of the French Revolution, Jennifer Donnelly, author of the award-winning novel A Northern Light , artfully weaves two girls’ stories into one unforgettable account of life, loss, and enduring love. Revolution spans centuries and vividly depicts the eternal struggles of the human heart.
BROOKLYN: Andi Alpers is on the edge. She’s angry at her father for leaving, angry at her mother for not being able to cope, and heartbroken by the loss of her younger brother, Truman. Rage and grief are destroying her. And she’s about to be expelled from Brooklyn Heights’ most prestigious private school when her father intervenes. Now Andi must accompany him to Paris for winter break.
PARIS: Alexandrine Paradis lived over two centuries ago. She dreamed of making her mark on the Paris stage, but a fateful encounter with a doomed prince of France cast her in a tragic role she didn’t want—and couldn’t escape.
Two girls, two centuries apart. One never knowing the other. But when Andi finds Alexandrine’s diary, she recognizes something in her words and is moved to the point of obsession. There’s comfort and distraction for Andi in the journal’s antique pages—until, on a midnight journey through the catacombs of Paris, Alexandrine’s words transcend paper and time, and the past becomes suddenly, terrifyingly present.
From the Hardcover edition.
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|Title of eBook: Revolution|
|Release Date: 10-12-2010|
|Allowed Countries (hover)|
|Publisher: Delacorte Books for Young Readers|
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Those who can't, deejay.
Like Cooper van Epp. Standing in his room--the entire fifth floor of a Hicks Street brownstone--trying to beat-match John Lee Hooker with some piece of trip-hop horror. On twenty thousand dollars' worth of equipment he doesn't know how to use.
"This is the blues, man!" he crows. "It's Memphis mod." He pauses to pour himself his second scotch of the morning. "It's like then and now. Brooklyn and Beale Street all at once. It's like hanging at a house party with John Lee. Smoking Kents and drinking bourbon for breakfast. All that's missing, all we need--"
"--are hunger, disease, and a total lack of economic opportunity," I say.
Cooper pushes his porkpie back on his head and brays laughter. He's wearing a wifebeater and an old suit vest. He's seventeen, white as cream and twice as rich, trying to look like a bluesman from the Mississippi Delta. He doesn't. He looks like Norton from The Honeymooners.
"Poverty, Coop," I add. "That's what you need. That's where the blues come from. But that's going to be hard for you. I mean, son of a hedge fund god and all."
His idiot grin fades. "Man, Andi, why you always harshing me? Why you always so--"
Simone Canovas, a diplomat's daughter, cuts him off. "Oh, don't bother, Cooper. You know why."
"We all do. It's getting boring," says Arden Tode, a movie star's kid.
"And one last thing," I say, ignoring them, "talent. You need talent. Because John Lee Hooker had boatloads of it. Do you actually write any music, Coop? Do you play any? Or do you just stick other people's stuff together and call the resulting calamity your own?"
Cooper's eyes harden. His mouth twitches. "Y...