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To the Rescue of Art: Twenty-Six Essays
By: Rudolf ArnheimImprint: University of California Press
Format: Adobe Encrypted (DRM)
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Never before published essays by the widely admired psychologist of art. Arnheim spiritedly asserts art's fundamental achievements. Rudolf Arnheim has spent a lifetime analyzing the basic psychological principles that make works of visual art meaningful, stirring, indispensable, and lasting. But recent fashionable attitudes and theories about art, he argues, are undermining the foundation of artistic achievement itself. The essays collected in this volume are written in his familiar, careful, and solidly supported manner, but under present circumstances they amount to a call to arms. Included is a series of miniature monographs on a variety of great works of art. In other essays, Arnheim uncovers enlightening perspectives in the art of the blind, in architectural space, in caricature, and in the work of psychotics and autistic children. He also presents new scientific aspects on the psychology of art and widens our range of vision by connecting art with language, literature, and religion.
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| Title of eBook: To the Rescue of Art: Twenty-Six Essays | |
| Release Date: 11-19-1991 | |
| Publisher: University of California Press |
This eBook download is available in the following formats:
| Parent title | To the Rescue of Art: Twenty-Six Essays |
|---|---|
| Encrypted (DRM) | Yes |
| SKU | 9780520911390 |
| File size | 21993 |
| Security | n/a |
| Printing | Not allowed |
| Copying | Not allowed |
| Read aloud | No Sys requirements Download reader |
| Devices | Samsung Tablet, Apple Ipad & Iphone, Barnes & Noble Nook, Kobo eReader, Aluratek Libre, Iliad, Nokia, Blackberry, Hanlin |
| Note | Excellent navigation features are available via Adobe such as bookmarks and a quick access table of contents. Text search is easily accessible. An Adobe DRM-protected file is different than a pdf file in that it uses Adobe DRM (Digital Rights Management) technology, which authors and publishers use to protect their content from illegal online distribution and to set certain privileges such as restrictions on copying and printing. |
To the Rescue of Art: Twenty-Six Essays
Kinship can make for trouble. This is true for the relations between the various disciplines of knowledge, such as the sciences. It is also true for the present interaction between psychology and philosophy, about which I wish to register a complaint in the following. To be sure, if one prefers to cling strictly to one's own specialty, one need not worry about contradictions between neighboring occupations. That, however, is a convenience one cannot afford if one is convinced, as I am, that one's own field of work and philosophy are inseparable.
For my purpose, philosophy is not a self-contained discipline; it is the crowning superstructure of efforts in the various fields of study to advance to ultimate principles. It is those principles on which the work of philosophy is based. And just as philosophy is threatened with sterility when it fails to replenish its resources from pertinent areas of knowledge, work in any specialty may succumb to narrow drudgery when it no longer focuses on the larger objectives that are the territory of the philosopher.
This symbiotic relationship seems to me particularly indispensable for psychology. Philosophy must refer to other sciences, such as physics or biology, when required by its particular tasks to do so. Psychology, however, is always involved in this symbiosis because philosophy deals with the mind and the mind is the subject of psychology.
Conversely, in my own work on the psychology of art, I find it hard to decide where, for example, my study of the artist's dealing with the world of reality trespasses on epistemology as a chapter of philosophy. Or, to pick another example, where does an invest
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