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Pike, Sarah M. Earthly Bodies, Magical Selves eBook

Earthly Bodies, Magical Selves

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Imprint: University of California Press

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Recent decades have seen a revival of paganism, and every summer people gather across the United States to celebrate this increasingly popular religion. Sarah Pike's engrossing ethnography is the outcome of five years attending neo-pagan festivals, interviewing participants, and sometimes taking part in their ceremonies. Earthly Bodies, Magical Selves incorporates her personal experience and insightful scholarly work concerning ritual, sacred space, self-identity, and narrative. The result is a compelling portrait of this frequently misunderstood religious movement. Neo-paganism began emerging as a new religious movement in the late 1960s. In addition to bringing together followers for self-exploration and participation in group rituals, festivals might offer workshops on subjects such as astrology, tarot, mythology, herbal lore, and African drumming. But while they provide a sense of community for followers, Neo-Pagan festivals often provoke criticism from a variety of sources-among them conservative Christians, Native Americans, New Age spokespersons, and media representatives covering stories of rumored "Satanism" or "witchcraft." Earthly Bodies, Magical Selves explores larger issues in the United States regarding the postmodern self, utopian communities, cultural improvisation, and contemporary spirituality. Pike's accessible writing style and her nonsensationalistic approach do much to demystify neo-paganism and its followers.

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Title of eBook: Earthly Bodies, Magical Selves
Release Date: 12-25-2000
Publisher: University of California Press

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Parent title Earthly Bodies, Magical Selves
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SKU 9780520923805
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Earthly Bodies, Magical Selves


Chapter One

Driving into Faerie

Place Myths and Neopagan Festivals

During several years attending festivals, I found that Neopagans everywhere describe their festival experiences in much the same way. Each festival has unique features, but Neopagans approach all festivals as opportunities to participate in a community of others who share some of their religious beliefs and practices. In later chapters I discuss in detail distinct characteristics of particular festivals. Here, however, I explore similar ways in which the festivals-Starwood, ELFest, Wild Magick Gathering, Summerhawk, Rites of Spring, Spiral, Lumensgate, and Pagan Spirit Gathering-are imagined as places of contrast with the rest of the world.

During ELFest 1991, I met Kenneth Deigh, a man who plays many roles in the national Neopagan community. Kenn has been attending festivals in the United States for more than ten years, organizing and directing large group rituals and presenting workshops on various aspects of ritual work: Magical Mudras, a workshop on physical postures and gestures, and Invokation and Evokation, techniques of spirit possession, are two workshops Kenn offered at Starwood, a large festival that takes place at Brushwood sanctuary in southwestern New York. He also edits and publishes Mezlim, a Neopagan magazine. Kenn and a few friends organized their first Lumensgate festival in 1992, which was held on the summer solstice (June 21) at Brushwood. "Lumensgate," Kenn wrote me, "means 'gateway to light,' gateway to a place where we can transform, a place where possibilities are open to us." As a festival organizer Kenn is particularly conscious of what makes f

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