America is starkly divided between the haves and the have-nots. A Republican president seeks reelection in the afterglow of a war many view as unnecessary and imperialisttic. He is bankrolled by millionaires, with every step of his career orchestrated by a political mastermind. Religious extremists crusade against the nation’s moral collapse. Terrorists plot the assassination of leaders around the world. And a lonely, disturbed revolutionary stalks the President. . . .
It all happened. One hundred years ago. It all comes to life in The Temple of Music .
A vivid, gripping historical novel of the Gilded Age, The Temple of Music re-creates the larger-than-life characters and tempestuous events that rocked turn-of-the-century America. From battlefields to political backrooms, from romance to murder, The Temple of Music tells the tales of robber barons, immigrants, yellow journalists, and anarchists, all centering on one of the most fascinating, mysterious, but little-explored events in American history: the assassination of President William McKinley by the disturbed anarchist Leon Czolgosz.
The Temple of Music brings to life the intrigues and passions, the hatreds and loves of a rich cast of real-life characters, including Emma Goldman, the passionate anarchist who forsakes her personal life to fight for workers’ rights and free love; her imprisoned lover, the failed assassin Alexander Berkman; corrupt kingmaker “Dollar” Mark Hanna, whose fund-raising and strategizing foreshadowed how modern presidential campaigns would be run; William Jennings Bryan, the populist orator and chief political rival of McKinley; flamboyant newspaper mogul William Randolph Hearst; self-appointed morality czar Anthony Comstock; steel magnate and philanthropist Andrew Carnegie; and Carnegie’s iron-fisted manager, Henry Clay Frick. At the center of this tableau is William McKinley, the president, and Leon Czolgosz, his assassin. McKinley rises to the presidency almost by accident, floating on the money and political clout of Mark Hanna. Sober and unimaginative, McKinley’s personal life is marked by drama and tragedy, the unstable wife he loves, and enemies he cannot imagine—chief among them, Leon Czolgosz, a lonely immigrant and factory worker who plots the most spectacular protest in an age of spectacular protests—McKinley’s assassination at the 1901 Buffalo World’s Fair.
Sweeping in scope, The Temple of Music is a rare literary achievement that intertwines history and fiction into an indelible tapestry of America at the dawn of the twentieth century.
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|Title of History eBook: The Temple of Music|
|Release Date: 12-28-2004|
|Allowed Countries (hover)|
|Publisher: Crown Publishing Group|
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|Parent title||The Temple of Music|
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The Temple of Music
1 LEON 1873-1901
His mother should not have come here; the trip was arduous, she was getting on in years, and Leon was in her womb, a stowaway on the ship to the new world. Childbirth would kill her, eventually, though that was a few years away. Still, she had had enough of regeneration.
Imagine her family seeing her off at the dock, peasants in the old country, sturdy Slavs, thickset and ruddy-cheeked, and her husband's, Paul's, hardscrabble Poles. They have ridden donkey carts to get to the shipyard, they have walked, they have hitched rides in the backs of wagons. Crying for the son and daughter they will never see again. She is standing high on the deck of the ship, rocking in the water. Her bony fingers-that is what Leon remembers about her, her fingers: delicate, elongated, so light, so sharp, clenched tight around the rail as if someone she cannot see is hell-bent on denying her station on the deck. Babies are tugging at the hem of her dress; Leon's father is silent as their families watch the impossibly large ship slip away from them only to vanish into a speck, then merge with the sun until they all disappear over the horizon. That empty space somewhere in front of them all, that nothingness out there they could only imagine, that was America.
And so Leon Czolgosz arrived in this country an embryonic being, and he was born in this new land. That was 1873.
Then blink your eyes and let time reemerge twenty-eight years later: October 29, 1901. Men in uniform are marching in lockstep down the corridor on either side of a prisoner, their movements efficient, coordinated, precise. When they reach the chair, they turn and push him into the seat, though it