What They Didn’t Teach You in Your Screenwriting Course
Screenwriters, listen up! Breakfast with Sharks is not a book about the craft of screenwriting. This is a book about the business of managing your screenwriting career, from advice on choosing an agent to tips on juggling three deal-making breakfasts a day. Prescriptive and useful, Breakfast with Sharks is a real guide to navigating the murky waters of the Hollywood system.
Unlike most of the screenwriting books available, here’s one that tells you what to do after you’ve finished your surefire-hit screenplay. Written from the perspective of Michael Lent, an in-the-trenches working screenwriter in Hollywood, this is a real-world look into the script-to-screen business as it is practiced today.
Breakfast with Sharks is filled with useful advice on everything from the ins and outs of moving to Los Angeles to understanding terms like “spec,” “option,” and “assignment.” Here you’ll learn what to expect from agents and managers and who does what in the studio hierarchy. And most important, Breakfast with Sharks will help you nail your pitch so the studio exec can’t say no.
Rounded out with a Q&A section and resource lists of script competitions, film festivals, trade associations, industry publications, and more, Breakfast with Sharks is chock-full of “take this and use it right now” information for screenwriters at any stage of their careers.
From the Trade Paperback edition.
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|Title of eBook: Breakfast with Sharks|
|Release Date: 12-18-2007|
|Allowed Countries (hover)|
|Publisher: Crown Publishing Group|
This eBook download is available in the following formats:
|Parent title||Breakfast with Sharks|
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Breakfast with Sharks
Section 101: Introduction to Tinseltown
Overview of Hollywood
There's an old joke about the studio exec who has read a script and someone asks what he thought of it, and he says, "I don't know. I haven't talked to anyone yet." The jest works on two levels: Hollywood is a startlingly tiny community, and in L.A. everyone plays the "six degrees of separation" game to figure out how you already know each other, as in "You just sold Matt at Sony? Ohmigod, I pitched him on Ninja Clown Posse six months ago. We gotta have lunch." As for the second part of the joke, ideas may be king in Hollywood, but this place is not about reinventing the wheel. "Uniquely familiar," a phrase coined by veteran producer Joel Silver (The Matrix, Lethal Weapon), is the stock and trade of Hollywood. In other words, you should think outside the box, but don't try to bring your own box to L.A., because over the past hundred years or so, Hollywood has developed a way to do business and make movies that it is quite comfortable with, thank you very much. The system works in an imperfect way, but it does work. So there's little use in trying to force the town to do things your way. The logic behind the Hollywood development process for a motion picture goes something like this: no matter where you are making movies in the world, if you are producing a product for a mass audience, the various funnels through which your story (the entertainment you are creating) must pass will narrow in order to appeal to the most people waiting on the other side. Typically, mass audiences reduce characters to white hat/good guy and black hat/bad guy. Consequently th