Tautly narrated and excruciatingly suspenseful, Double Indemnity gives us an X-ray view of guilt, of duplicity, and of the kind of obsessive, loveless love that devastates everything it touches. First published in 1935, this novel reaffirmed James M. Cain as a virtuoso of the roman noir .
From the Trade Paperback edition.
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|Title of Science Fiction eBook: Double Indemnity|
|Release Date: 01-05-2011|
|Allowed Countries (hover)|
|Publisher: Knopf Doubleday Publishing Group|
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|Parent title||Double Indemnity|
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I drove out to Glendale to put three new truck drivers on a brewery company bond, and then I remembered this renewal over in Hollywoodland. I decided to run over there. That was how I came to this House of Death, that you've been reading about in the papers. It didn't look like a House of Death when I saw it. It was just a Spanish house, like all the rest of them in California, with white walls, red tile roof, and a patio out to one side. It was built cock-eyed. The garage was under the house, the first floor was over that, and the rest of it was spilled up the hill any way they could get it in. You climbed some stone steps to the front door, so I parked the car and went up there. A servant poked her head out. "Is Mr. Nirdlinger in?"
"I don't know, sir. Who wants to see him?"
"And what's the business?"
Getting in is the tough part of my job, and you don't tip what you came for till you get where it counts. "I'm sorry, sir, but they won't let me ask anybody in unless they say what they want."
It was one of those spots you get in. If I said some more about "personal" I would be making a mystery of it, and that's bad. If I said what I really wanted, I would be laying myself open for what every insurance agent dreads, that she would come back and say, "Not in." If I said I'd wait, I would be making myself look small, and that never helped a sale yet. To move this stuff, you've got to get in. Once you're in, they've got to listen to you, and you can pretty near rate an agent by how quick he gets to the family sofa, with his hat on one side ...