“Here is a man who suffers so his readers can laugh.” — Daily Telegraph
Bill Bryson travels to Kenya in support of CARE International. All royalties and profits go to CARE International.
Bryson visits Kenya at the invitation of CARE International, the charity dedicated to eradicating poverty. Kenya is a land of contrasts, with famous game reserves and a vibrant culture. It also provides plenty to worry a traveller like Bill Bryson, fixated as he is on the dangers posed by snakes, insects and large predators. It is also a country with many serious problems: refugees, AIDS, drought, and grinding poverty. The resultant diary, though short in length, contains the trademark Bryson stamp of wry observation and curious insight.
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|Title of eBook: Bill Bryson's African Diary|
|Release Date: 12-18-2007|
|Allowed Countries (hover)|
|Publisher: Broadway Books|
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Bill Bryson's African Diary
In the late 1940s and early 1950s after he became a little too saggy to fit into a Tarzan loincloth without depressing popcorn sales among cinema audiences, the great Johnny Weissmuller filled the twilight years of his acting career with a series of low-budget adventure movies with titles like Devil Goddess and Jungle Moon Men, all built around a character called Jungle Jim. These modest epics are largely forgotten now, which is a pity because they were possibly the most cherishably terrible movies ever made.
The plots seldom got anywhere near coherence. My own favorite, called Pygmy Island, involved a lost tribe of white midgets and a strange but valiant fight against the spread of Communism. But the narrative possibilities were practically infinite since each Jungle Jim feature consisted in large measure of scenes taken from other, wholly unrelated adventure movies. Whatever footage was available-train crashes, volcanic eruptions, rhino charges, panic scenes involving large crowds of Japanese-would be snipped from the original and woven into Jungle Jim's wondrously accommodating story lines. From time to time, the ever-more-fleshy Weissmuller would appear on the scene to wrestle the life out of a curiously rigid and unresisting crocodile or chase some cannibals into the woods, but these intrusions were generally brief and seldom entirely explained.
I wouldn't be at all surprised to learn that no more than four people at a time ever paid money to watch a Jungle Jim movie. The series might well have escaped my own attention except that in about 1959 WOI-TV, a television station well known in central Iowa for its tireless commitment to mediocrity, acquired the complete Jun