In Freud’s dangerous, dazzling Vienna of 1903, an ingenious doctor and an intrepid detective again challenge psychotic criminals across a landscape teetering between the sophisticated and the savage, the thrilling future and the primitive past.
On opposite sides of the city, two men are found beheaded on church grounds. Detective Inspector Oskar Reinhardt is baffled. Could the killer be mentally ill, someone the victims came into contact with? Some are even blaming the murders on the devil. But when psychoanalyst Dr. Max Liebermann learns that both victims were vocal members of a shadowy anti-Semitic group, he turns his gaze to the city’s close-knit Hasidic community. The doctor is drawn into an urban underworld that hosts and hides virulent racists on one side and followers of kabbalah on the other. And as the evidence—and bodies—pile up, Liebermann must reconsider his own path, the one that led him away from the miraculous and toward a life of the mind.
From the Trade Paperback edition.
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|Title of Business & Economics eBook: Vienna Secrets||Series: A Max Liebermann Mystery, , #4|
|Release Date: 02-23-2010|
|Allowed Countries (hover)|
|Publisher: Random House Trade Paperbacks|
This eBook download is available in the following formats:
|Parent title||Vienna Secrets|
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The Breaking of the Vessels
Liebermann stepped down from the cab.
Two constables wearing long coats and spiked helmets were standing in the middle of the street, ready to block the passage of traffic. One of them came forward.
"Herr Dr. Liebermann?"
"This way, please."
The sun had barely risen, and the morning air was cold and dank. Ahead, four black lacquered carriages were parked: one of them was a windowless mortuary van. A flash of bright light unsettled the horses, signaling the presence of a police photographer. As Liebermann and his companion advanced, a cobbled concourse came into view, dominated by a white church with a convex baroque façade.
"Maria Treue Kirche," said the constable.
Liebermann had often passed the church on his way to the Josefstadt theatre, but he had never paused to appreciate its size. He had to tilt his head back to see it all. Two spires, each decorated with a girdle of globes, flanked a classical columned pediment. A gilt inscription declared Virgo Fidelis Ave Coelestis Mater Amoris, and below this was a clock face showing the early hour: six o'clock. Winged figures peered over the gable. They were disporting themselves beneath a gold crucifix, enhanced with radial spokes to represent rays of divine light.
On both sides of the concourse were identical three-story buildings. They were plain, functional structures, with roughcast walls. Liebermann saw the word "gymnasium" carved beneath a stone escutcheon.
In front of the church were two gas lamp...