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Keywords in Creative Writing
By: Wendy Bishop , David StarkeyImprint: Utah State University Press
Format: Adobe Encrypted (DRM)
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Wendy Bishop and David Starkey have created a remarkable resource volume for creative writing students and other writers just getting started. In two- to ten-page discussions, these authors introduce forty-one central concepts in the fields of creative writing and writing instruction, with discussions that are accessible yet grounded in scholarship and years of experience.
Keywords in Creative Writing provides a brief but comprehensive introduction to the field of creative writing through its landmark terms, exploring concerns as abstract as postmodernism and identity politics alongside very practical interests of beginning writers, like contests, agents, and royalties. This approach makes the book ideal for the college classroom as well as the writer’s bookshelf, and unique in the field, combining the pragmatic accessibility of popular writer’s handbooks, with a wider, more scholarly vision of theory and research.
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| Title of eBook: Keywords in Creative Writing | |
| Release Date: 01-15-2006 | |
| Publisher: Utah State University Press |
This eBook download is available in the following formats:
| Parent title | Keywords in Creative Writing |
|---|---|
| Encrypted (DRM) | Yes |
| SKU | 9780874215335 |
| File size | 1260 |
| Security | n/a |
| Printing | Not allowed |
| Copying | Not allowed |
| Read aloud | No Sys requirements Download reader |
| Devices | Samsung Tablet, Apple Ipad & Iphone, Barnes & Noble Nook, Kobo eReader, Aluratek Libre, Iliad, Nokia, Blackberry, Hanlin |
| Note | Excellent navigation features are available via Adobe such as bookmarks and a quick access table of contents. Text search is easily accessible. An Adobe DRM-protected file is different than a pdf file in that it uses Adobe DRM (Digital Rights Management) technology, which authors and publishers use to protect their content from illegal online distribution and to set certain privileges such as restrictions on copying and printing. |
Keywords in Creative Writing
Chapter One
Adjunct and Temporary Faculty
The plight of adjunct (part-time) and temporary (nontenured) faculty has been well documented, particularly by contingent faculty themselves. The experience of Ben Satterfield, a former adjunct, is typical. While teaching at the University of Texas, Satterfield recalls that though they "were not shunned like pariahs, the temporary faculty were distinctly second-class citizens, tolerated but not encouraged" (1994, 130). When he moved from UT to Austin Community College, Satterfield's situation became even worse. He received even less respect from administrators and colleagues and was paid 60 percent less than full-time faculty for teaching the same courses: "Dozens of us shared one small office, occupying desks like shift workers; we were hired on a semester-to-semester basis and denied medical insurance coverage or any benefits that were standard for the regular faculty; we were disdained by the administration and treated like field workers with no rights whatever" (132).
The comparison of adjuncts with field workers-dislocated seasonal laborers who can be easily replaced-has been especially prevalent in English studies. As Cary Nelson and Michael Berube (1994) point out: "Tenure-track jobs in English regularly receive 800 to 1,000 applications. Even the most accomplished young scholars and teachers often remain unemployed. For in the 1990's, many colleges are finding that they lack the money even to replace retiring faculty members, and graduate programs that had expected boom times suddenly find that they are drastically overproducing Ph.D.'s."
Linda Ray Pratt, chair of an A
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