“The Highest Justice”

Holly: Legends of unicorns occur all over the world throughout recorded history. From a unicorn in Persia, described in the fourth century as having a long white horn tipped in crimson, to the German unicorn whose single horn broke into branches like a stag, to the fierce Indian unicorn, black-horned and too dangerous to be taken alive. There’s the kirin in Japan, with a deerlike body, a single horn, and a head like a lion or wolf. And there’s the medieval European unicorn, with the beard of a goat and cloven hooves.

No matter the origin, the unicorn is usually thought to be a solitary creature whose very body possesses the power to heal. The legends describe it as elusive and beautiful, fierce and strange.

In fact, such is the mysterious draw of the unicorn that originally the story that follows was meant to be a zombie story. Somehow the power of the unicorn caused the story itself to switch sides.

Garth Nix’s “The Highest Justice” draws on the association between unicorns and kings. The Chinese qilin presaged the death of Emperors. The heraldic unicorn shows up on coats of arms, including the Royal Arms of Scotland and England. And in “The Highest Justice,” a unicorn takes an even more direct interest in a royal family.

Justine: That is so unconvincing. Emperors and kings. Noble families. You’re just saying unicorns are stuck-up snobs. Zombies are the proleteriat. Long live the workers!

Also, your global list of genetic experiments gone wrong (deer with the head of a lion? Talk about top heavy!) prove nothing about unicorn variation. Everyone knows unicorns are all-white or rainbow-colored. Ewww. Zomb